Rothko Orange and Yellow painting

Rothko Orange and Yellow painting
Rothko Orange and Yellow2 painting
Rothko Orange and Yellow3 painting
Rothko Orange Brown painting
freely on forbidden plums, kicked up the gravel with profane boots unreproved, and played cricket in the big field where the irritable `cow with a crumpled horn' used to invite rash youths to come and be tossed. It became a sort of boys' paradise, and Laurie suggested that it should be called the `Bhaer-garten', as a compliment to its master and appropriate to its inhabitants.
It never was a fashionable school, and the Professor did not lay up a fortune, but it was just what Jo intended it to be -- `a happy, homelike place for boys, who needed teaching, care, and kindness'. Every room in the big house was soon full. Every little plot in the garden soon had its owner. A regular menagerie appeared in barn and shed, for pet animals were allowed. And three times a day, Jo smiled at her Fritz from the head of a long table lined on either side with rows of happy young faces, which all turned to her with affectionate eyes, confiding words, and grateful hearts, full of love for `Mother Bhaer'. She had boys enough now, and did not tire of them, though they were not angels, by any means, and some of them caused both Professor and Professorin much trouble and anxiety. But her faith in the good spot which exists in the heart of the naughtiest, sauciest, most tantalizing little ragamuffin