Vincent van Gogh Still Life with Open Bible painting

Vincent van Gogh Still Life with Open Bible paintingVincent van Gogh Still Life with Iris painting
a SLEEP there. Eat supper, breakfast in camp, but SLEEP WITH THE SHEEP, hundred percent, NO FIRE, don’t leave NO SIGN. Roll up that tent every mornin case Forest Service snoops around. Got the dogs, your .30-.30, sleep there. Last summer had goddamn near twenty-five percent loss. I don’t want that again. YOU,” he said to Ennis, taking in the ragged hair, the big nicked hands, the jeans torn, button-gaping shirt, “Fridays twelve noon be down at the bridge with your next week list and mules. Somebody with supplies’ll be there in a pickup.” He didn’t ask if Ennis had a watch but took a cheap round ticker on a braided cord from a box on a high shelf, wound and set it, tossed it to him as if he weren’t worth the reach. “TOMORROW MORNIN we’ll truck you up the jump-off.” Pair of deuces going nowhere.
They found a bar and drank beer through the afternoon, Jack telling Ennis about a lightning storm on the mountain the year before that killed forty-two sheep, the peculiar stink of them and the way they bloated, the need for plenty of whiskey up there. He had shot an eagle, he said, turned his head to show the tail feather in his hatband. At first glance Jack seemed fair enough with his curly hair and quick laugh, but for a small man he carried some weight in the haunch and his smile disclosed buckteeth, not pronounced enough