Thursday, September 18, 2008

Rembrandt History Painting painting

Rembrandt History Painting paintingJean Auguste Dominique Ingres Perseus and Andromeda paintingGuido Reni Baptism of Christ painting
Darling. Do give me a job.”
“Well, I’m not paying much attention to casting at the moment—but I’ll bear you in mind.”
“Goodness. How you’ve changed in two days!”
“Yes!” said Simon, with great complacency. “Yes, I think I have. You see, for the first time in my life I have come into contact with Real . I’m going to give up novels. It was a mug’s anyway. The written word is dead—first the papyrus, then the printed book, now the film. The artist must no longer work alone. He is part of the age in which he lives; he must share (only of course, my dear Sylvia, in very different proportions) the weekly wage envelope of the proletarian. Vital art implies a corresponding set of social . Co-operation ... co-ordination ... the hive endeavour of the community directed to a single end ...”
Simon continued in this strain at some length, eating meantime a luncheon of Dickensian dimensions, until, in a small, miserable voice, Sylvia said: “It seems to me that you’ve fallen for some ghastly film star.”

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