Wednesday, August 20, 2008

Raphael The Sistine Madonna painting

Raphael The Sistine Madonna paintingWilliam Bouguereau Biblis painting
manuscript are; we also know why he's not editor-in-chief any more, after his rejection of --------* on similar "moral" grounds. What I must add, at the risk of "impropriety," is that in addition to his predictable bias against anything more daring thanGay Dashleigh's Prep-School Days, he may have a private antipathy for this particular manuscript: his own daughter, I happen to know, with a bearded young poetry-student who subsequently abandoned her, pregnant, in order to devote himself to sheep-farming and the composition of long pastoral romances in free verse, mainly dealing with his great love for her. Her father never forgave her; neither has he, it seems, forgiven bearded heteroSexuality or things bucolic, and it is a mark of his indiscrimination that he makes a goat-boy suffer for a sheep-boy's sins. Much as I respect your request that these statements remain impersonal, and hesitate as a new employee to criticize my colleagues in addition to disagreeing with them, I must argue that the "personal" and "professional" elements are so bound together in this case (indeed, are they ever separable in literary

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