Monday, September 22, 2008

Gustav Klimt Fir Forest painting

Gustav Klimt Fir Forest paintingRaphael Deposition of Christ paintingGeorge Frederick Watts The Three Graces painting
of gentlemanly ease—would have been impossible to him. The truth was that, while excelling at Lely, my father could paint, very passably, in the manner of almost any of the masters of English portraiture and the private and public collections of the New World were richly representative of his versatility. Very few of his friends knew this traffic; to those who did, he defended it with complete candour. “Goodchild and Godley buy these pictures for what they are—my own work. They pay me no more than my dexterity merits. What they do with them afterwards is their own . It would ill become me to go officiously about the markets identifying my own handicraft and upsetting a number of perfectly contented people. It is a great deal better for them to look at beautiful pictures and enjoy them under a misconception about the date, than to make themselves dizzy by goggling at genuine Picassos.”
It was largely on account of his work for Goodchild and Godley that his studio was strictly reserved as a workshop. It was a separate building approached through the and it was excluded from general use. Once a year, when he went abroad it was “done out”; once a year, on the Sunday before sending-in day at the Royal Academy it was open to his

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